Joanna Sachryn & Paul Rivinius
Joanna Sachryn & Paul Rivinius
The cello and piano become one voice in the hands of Joanna & Paul — a duo whose artistry blends warmth, intensity, and expressive freedom. Their interpretations reveal new colours and emotional landscapes, captivating audiences across Europe and beyond.
About the artists
JOANNA SACHRYN
“ Paying cello means for me telling stories“
The Polish cellist Joanna Sachryn convinces with her expressivity and a personality, which is simply not conventional. Her captivating stage presence and unique cello-sound reflect her universal experience as a musician – chamber musician, soloist, in orchestra and as professor. Her personality deliberately refuse to be pigeonholed. Her debut with the E. Lalo Concerto after only four years of cello study attracted great interest in the Polish public. At the age of sixteen she toured with ‘Jeunesse Musicales’ to Paris and London. Already then the British ‘Observer’ extolled her extraordinary expressiveness.
At the age of seventeen she became Poland’s youngest cello soloist at the Opera of her hometown Szczecin. At the same time she passed her diploma with distinction at the music conservatory and won prizes in numerous national competitions.
Although the Iron Curtain was a major impediment, she went on to study in the Soloist Class with Gerhard Mantel at the University for Music and Performing Arts Frankfurt and in London with William Pleeth. She received decisive impulses through repertoire studies with the Russian cello giants Mstislav Rostropovich and Daniil Shafran.
Numerous engagements followed, e.g. with Munich Philharmonic, WDR Symphony Orchestra Cologne, State Orchestra Stuttgart, The Chamber Orchestra of Europe, The Deutsche Kammerphilharmonie Bremen, Bamberger Symphoniker, NDR - Elbphilharmonie Orchestra Hamburg.
She performed as a soloist with Philharmonic Orchestra Regensburg, Wernigerode Chamber Orchestra, Korean Chamber Orchestra, German Radio Orchestra, Württemberg Symphony Orchestra, State Orchestra of Ploiesti and Oradea in Rumania. In 2023 she performed the world premiere of the dedicated to her Cello Concerto “ Paysage Intime” by Polish composer Tomasz Skweres together with the Madrid Festival Orchestra.
As a chamber musician she played with artist such as Günter Ludwig and Justus Franz, Thomas Christian, Johannes Goritzki, Boris Pergamenschikow, Eleonora Schönfeld, Wolfgang Güttler and Boguslaw Furtok.
Joanna performed on international stages like The Musikverein Vienna, Cecilia Meirelles Hall Rio de Janeiro, Santory Hall Tokio, National Art Center and Lotte Concert Hall in Seoul, Beijing National Center for the Performing Arts, Shanghai Oriental Art Center and Shanghai Symphony Hall - at the Schleswig-Holstein Music Festival, the Rheingau Music Festival, the Menuhin Festival Gstaad, Shanghai Spring Festival, International Cello Festival Katowice, Musika Música Festival Bilbao.
She is cellist of the international established Cologne Piano Trio and member of the Vienna Cello Ensemble 5+1. She regularly performs with the Spanish pianist Pablo Amorós. As well she enjoyed a long-standing musical friendship with the international acclaimed chamber musician - the pianist Paul Rivinius. The Kaleidos label released two CDs of the duo Sachryn-Rivinius, “ Meyer-Shostakovich “ as well as ”Forgotten Treasures” much acclaimed world premiere recording of new discoveries from the Romantic period.
Joanna Sachryn regularly gives masterclasses in Europe, Asia and South America. She teaches at the Academy for Music Berlin and as visiting professor at Tongji University Shanghai as well at Y.Menuhin School Qingdao China.
PAUL RIVINIUS
Pianist Paul Rivinius, born in 1970, received his first piano lessons at the age of five. His teachers were first Gustaf Grosch in Munich, later Alexander Sellier, Walter Blankenheim and Nerine Barrett at the Musikhochschule in Saarbrücken. After graduating from high school he also studied horn with Marie-Luise Neunecker at the Frankfurt Musikhochschule and continued his piano studies with Raymund Havenith. In 1994 he was accepted into Gerhard Oppitz’s master class at the Musikhochschule in Munich, which he completed with honours in 1998. Paul Rivinius was for a long time member of the Bundesjugendorchester and the Gustav Mahler Youth Orchestra.
As a chamber musician, he won several prizes with the Clemente Trio, founded in 1986, for example at the renowned ARD Music Competition in Munich in 1998 and subsequently performed as the “Rising Star” ensemble in the world’s ten most important concert halls, including Carnegie Hall in New York and Wigmore Hall in London.
Paul Rivinius also plays in the Rivinius Piano Quartet together with his brothers Benjamin, Gustav and Siegfried.
Since 2004 he has also been pianist of the Mozart Piano Quartet, which has gained international reputation through extensive tours in North and South America and Asia.
In 2018 the Mozart Piano Quartet received the “Opus Klassik” for the recording of Georg Hendrik Witte’s Piano Quartet for MDG Dabringhaus & Grimm.
Paul Rivinius was part of numerous radio and CD productions with cellists Julian Steckel, Johannes Moser and with the Swedish soprano Camilla Tilling to name a few.
Paul Rivinius taught for many years as professor of chamber music at the “Hanns Eisler” Academy of Music in Berlin and lives now in Munich.
PROGRAMME OPTIONS
I. Dedications
Dedications can tell much about the composers and their works. The second wife of composer Debussy, the cello-enthusiast King of Prussia, the cello-titan of the 20th century Rostropowitsch or the influential virtuoso Ysaÿe: they all inspired some of the most important chamber music for violoncello and piano.
The Polish composer Krzysztof Meyer and Joanna Sachryn have been friends for many years. He dedicated his opus 141 to the cellist.
Claude Debussy Sonata for Cello and Piano D minor (dedicated to his wife Emma Bardac)
Krzysztof Meyer Adagio serioso Op.141. (2024 - dedicated to Joanna Sachryn)
Ludwig van Beethoven Sonata g minor for Piano and Cello Op.5 no.2 (dedicated to the King Friedrich Wilhelm II. of Prussia)
César Franck Sonata A Major ( version for Cello and Piano) (dedicated to Eugène Ysaÿe)
Alternativ
Benjamin Britten Sonata for Cello and Piano C major Op. 65 (dedicated to Mstislav Rostropowitsch)
II. Bach and the aftermath
Bach's works have kept generations of composers busy until the present. His handling of form, with the counterpoint and harmony, has challenged all great composers from the classics to contemporary.
Johann Sebastian Bach Sonata for Viola da Gamba no.3 in g minor BWV 1029
Ludwig van Beethoven Sonata for Piano and cello in D major Op.102 no. 2
Nadia Boulanger Trois pièces for Cello and Piano
Max Reger Sonata for Cello and Piano no.4 in a minor Op.116
Alternativ
Johannes Brahms Sonata for Cello and Piano in e minor Op. 38
III. Friendship Circles
This recital revolves around Clara Schumann and the artistic circles of the romantic period, showcasing multiple curiosities. Anton Urspruch, composer in Frankfurt (1850-1907), internationally renowned in his day, became her colleague at in the 1878 re-founded Hoch's Conservatory. As an expression of his esteem and adoration, he dedicated his Cello Sonata op.29 to her.
Ferdinand Hiller was, through his works as a pianist, composer, director and teacher, one of the most influential musicians of his day. The close friend and companion of Frédéric Chopin during theirs years in Paris was closely linked to Clara and Robert Schumann through his activities in Leipzig, Düsseldorf and later Cologne. The Concerto for Piano and Orchestra Op.54 by Robert Schumann is dedicated to this outstanding musician and personality of his time.
Johannes Brahms' deep affection to Clara Schumann is known and yet mysterious. Her verdict on his new works was always of utmost importance throughout his life.
Robert Schumann Fantasy Stücke op.73 for Cello and Piano
Anton Urspruch Sonata for Cello and Piano D major Op.29 (dedicated to Clara Schumann)
Ferdinand Hiller Serenade for Cello and Piano Op.109
Frédéric Chopin Sonata for Cello and Piano in g minor Op.65
Alternativ
Johannes Brahms Sonata for Cello and Piano in e - minor no.1 Op.38
IV. Encounters
In 2023, the duo released a CD with works by Meyer and Shostakovich.
Superb players “[…] This sonata for cello and piano is the first music of his [Meyer] that I have ever heard and I was drawn swiftly by its uncomment blend of lyricism, combativeness and an unmistakable Polishness in gesture and phrasing. […] The music is fascinating on many levels and, when paired with the Shostakovich cello sonata opus 40, irresisitble. On one and the same record, you can hear both composer and commentator. Who could ask for anything more? The superb players Joanna Sachryn and Paul Rivinius, passionate and immaculate.” Norman Lebrecht [Myscena, 03.02.2023]
Meeting Dmitri Schostakowitsch was a key moment for Krzysztof Meyer, an important Polish composer of our time. From a mentoring relationship between respect and curiosity developed a friendship - and after the death of Schostakowitsch Meyer became the central biographer of the Soviet composer. In differing ways those two composers worked (in Slavic tradition) with the perception of musical expression - and the reactions of the listeners thereto.
During his studies in Leningrad, Dimitri Schostakowitsch was able to accrue extensive experience as a silent film pianist.
In the late 1940s he fell from Stalin's grace. Performances of his works were prohibited by the communist party, his post as a teacher long gone. However, Stalin permitted him to work as a composer for a slew of films - thus Shostakovich created wonderful music, which cemented the reputation of his mastery and his humour.
Elated and simultaneously melancholic variations of a Slovakian folk song of the neoclassic Bohuslav Martinů add more colour to this recital.
Dmitri Schostakowitsch Moderato, Tarantella, Gigue, Romanze and other short pieces
Bohuslav Martinů Variations on Slavic Thema for Cello and Piano
Dmitri Schostakowitsch Sonata for Cello and Piano in d minor Op.40
Krzysztof Meyer Sonata for Cello and Piano Nr.1
Press / Reviews
„ Joanna Sachryn possesses all the virtues of a cellist who is rightly held in high esteem internationally. Her playing is impressively relaxed, with a slender, straight tone, dynamically extremely colourful and sensitive. And she “speaks”, can captivate with tension, offer excited rhetoric or - in this case mostly - transport the listener into a world full of contemplation and internalisation, even without great tonal effort. This applies equally to the pianist Paul Rivinius, who is hardly a mere accompanist here, on the contrary. This is because the piano writing is much less voluminous and full-bodied. He prefers an extremely sound-sensitive, transparent, often equally linear compositional style. And with delicate-sounding precision. Both performers are therefore ideally suited to give the three movements of the work the most concise profile imaginable. [...]”
Ekkehard Ochs [Die Tonkunst, January 2024 edition]
Superb players “[…] This sonata for cello and piano is the first music of his [Meyer] that I have ever heard and I was drawn swiftly by its uncomment blend of lyricism, combativeness and an unmistakable Polishness in gesture and phrasing. […] The music is fascinating on many levels and, when paired with the Shostakovich cello sonata opus 40, irresisitble. On one and the same record, you can hear both composer and commentator. Who could ask for anything more? The superb players Joanna Sachryn and Paul Rivinius, passionate and immaculate.” Norman Lebrecht [Myscena, 03.02.2023]